Friday, 30 October 2009

The Future

[I am speaking at this, on an image from JG Ballard (to be revealed, and the talk will be posted here after). No one, as far as I know, is speaking on the above image. I just chose it in contemplation of Ballard's remarks about the space race lacking the ability to excite the imagination / or any 'manifest insanity'.]


Accompanying the exhibitions The Sculpture of the Space Age and The Object of the Attack (2/10/09-19/12/09) at the David Roberts Art Foundation


The Institute for Modern and Contemporary Culture at University of Westminster, in association with the David Roberts Art Foundation, presents:

THE FUTURE
Thursday 5 November 6:30
Location: The David Roberts Art Foundation Fitzrovia, 111 Great Titchfield Street, London W1W 6RY

Presenting images of the future with:


Tom Corby is an artist and writer whose research is concerned with relocating digital imaging processes within wider aesthetic and social frameworks. He is the deputy Director of CREAM at Westminster and coordinates the digital art research cluster in the school of arts and media. His experimental digital artworks (produced in collaboration with Gavin Baily) have been internationally exhibited and have won numerous awards.


Benjamin Noys is Reader in English Literature at the University of Chichester. He is author of, among other works, The Culture of Death (2005) and Georges Bataille: A Critical Introduction (2000), and is a member of the editorial board of the journal Film-Philosophy. He has a forthcoming book entitled The Persistence of the Negative due in 2010.


Kester Rattenbury is an architectural journalist, critic and writer, whose many publications include the edited collection This is Not Architecture. She is a consulting editor for the Architects Journal, series editor for the SuperCrit series with Routledge, and leads the ExP research group at the University of Westminster.

John Timberlake is a photographer and writer, who also leads the BA in Fine Art at Middlesex University. He has exhibited widely in Europe and North America and is an alumnus of the Whitney Museum of American Art Independent Study Programme. A former editor of Everything Magazine, his most recent publication is the book Bussard Ramjet (Artwords 2008) and he is currently exhibiting work at the Pittoresk: Neue Perspektiven auf das Landschaftsbild group show at MARTa in Germany.

David Cunningham is Principal Lecturer and Deputy Director of the Institute for Modern and Contemporary Culture at the University of Westminster. He is an editor of the journal Radical Philosophy, co-editor of the book Photography and Literature in the Twentieth Century (2005), and has published widely on modernism, aesthetics, architectural theory and urbanism.

1 comment:

socialism and/or barbarism said...

My god, that image. Now I'm thinking more Ballardian, of her riding it across a coral desert into a giant image of Reagan's face made of genitalia. Damn.