This argument from Pasolini, quoted by Barthes in his inaugural lecture at the College de France, presents a neat solution to the problem of recuperation:'I believe that before action we must never in any case fear annexation by power and its culture. We must behave as if this dangerous eventuality did not exist .... But I also believe that afterward we must realise how much we may have been used by power. And then, if our sincerity or our necessity has been controlled and manipulated, I believe we must have the courage to abjure.'
This kind of Pascalian wager, or Vaihingerian deployment of the political 'as if', at once avoids the paranoia of the position of 'always-already co-optation' (Chris Connery), and the 'happy' naivete that presumes the eternal revolutionary truth of a position, rather than, to quote Debord, that theories exist, and die, in time.The paranoia of the first position can be found most symptomatically in Baudrillard's later texts, but with a twist. He passes from death as resistant to power (or symbolic exchange), to the system itself as auto-deconstructive - hence the passivity of accelerationism. Rather than having to think through recuperation, to 'abjure' our works, we simply rely on the providence of the 'system' to produce its own collapse, in which its 'obscene underside' suddenly chaotically 'jumps' into complete collapse.
This kind of paranoia also characterises the position of the Telos group in the 1970s with their concept of 'artificial negativity', in which virtually every protest of the 1960s was somehow constituted or manipulated to the advantage of capital. In later incarnations Telos came to believe a new populism would somehow evade this dialectic, again leaving an exit door open. This 'cunning of (capitalist) reason' argument is particularly beloved of renegade leftists (Marcuse wisely remarked on the fact that the cunning of reason always seems to work for power, never against it).
What concerns me is how these two positions fold-into each other: paranoia over complete recuperation finds that resistance comes to infiltrate itself as, or within, the 'system'. On the other hand, the primacy of resistance licenses the reading of any recuperation as somehow always the effect of resistance, thereby functioning as an apologetics for the system.I'm not sure there can be an absolute solution to this kind of aporia, but Pasolini's wager offers a deliberate wager in the symbolic, to act 'as if' recuperation does not exist in advance, then afterwards abjuring works that are recuperated, w/o bad conscience.





